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The Annunciation to the Shepherds, late 1470s-early 1480s

From Shelley Esaak, About.com

Courtesy of the J. Paul Getty Museum; Used with permission

Master of the Houghton Miniatures (Flemish, act. ca. 1480-ca. 1485). The Annunciation to the Shepherds, late 1470s-early 1480s, from the Emerson-White Hours. Ghent (?). Tempera colors and gold paint on parchment. 12.5 x 9 cm. 95.ML.53 recto.

Courtesy of the J. Paul Getty Museum
An artist whose identity remains a mystery is the Master of the Houghton Miniatures, named after Harvard University's library in Cambridge, Massachusetts, where a prayer book illustrated by the anonymous illuminator resides. Most likely active in Flanders at the end of the Fifteenth Century, a number of the artist's few extant works are known for the painter's fine precision in drawing and remarkable ability to convey both space and depth. In his Annunciation to the Shepherds, the Master portrayed herdsmen in Bethelem's rural outskirts. Hovering above them, a resplendently radiant angel, messenger of the Christ Child's birth, emanates a near-blinding light onto the unsuspecting shepherds, encouraging them to cover their faces. Other angels float loftily above Jesus' manger; their incandescent glow indicates the shepherds' eventual destination, a stable in the composition's distant background that's lit from within. The peasants' startlingly realistic and rugged portraits are rivaled only by those of the Netherlandish painter Hugo van der Goes (act. by 1467, d. 1482) in his Portinari Altarpiece (ca. 1480), a Northern European artistic sensation upon its arrival in Quattrocento Florence.

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From your Guide: Stan Parchin, Senior Correspondent for Museums and Special Exhibitions, is a regular contributor to About Art History and the author of this feature. You may read all of his Special Exhibition and Catalogue Reviews here.
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