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Special Exhibition Gallery - Glitter and Doom: German Portraits from the 1920s

November 14, 2006–February 19, 2007 at The Metropolitan Museum of Art

From , former About.com Guide

Glitter and Doom: German Portraits from the 1920s reminds us that the years of the Weimar Republic in Germany were short, sad and, particularly in Berlin, spectacular. A contingent of German visual artists moved on from Dada to Neue Sachlichkeit (New Objectivity), from which a leftist sub-branch now known as Verism arose.

This image gallery contains a selection of some of the Verist works on view in the exhibition. Painted during a society's death spiral, the prostitutes, war cripples, transvestites, wealthy industrialists, doctors, lawyers and, yes, often the Verist artists themselves, are captured here in a now-lost era. Less 'enjoyable' than many themed exhibitions, Glitter and Doom... is superlative at compelling the viewer to look and think.

Images 1-12 of 12

Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionSelf Portrait with Champagne Glass, 1919Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionYoung Argentine, 1929Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionThe Art Dealer Alfred Flechtheim, 1926Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionDr. Mayer-Hermann, 1926
Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionCartoon for Metropolis (Triptych), 1928Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionThe Dancer Anita Berber, 1925Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionThe Salon I, 1921Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionTo Beauty, 1922
Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionThe Swimmer of Cologne, 1926-28Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionSelf-Portrait, 1927Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionCount St. Genois d'Anneaucourt, 1927Photograph provided by The Metropolitan Museum of Art, New York; Used with permissionSonja, 1928
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