1. Education

Exhibition Gallery: Giuseppe Arcimboldo (1526-1593)

Traveling September 15, 2007-June 1, 2008 to Two Venues

From , former About.com Guide


The Milanese and the Hapsburgs couldn't get enough of him during his 16th century lifetime but, after his death, Giuseppe Arcimboldo's works languished unnoticed in some moldering closet of art history for over 300 years. Until, that is, the Surrealists came along, drew inspiration from his anthropomorphic paintings and touted the artist's name once again. Now, nearly another 100 years on, Giuseppe Arcimboldo (1526-1593) illustrates that his best-known works remain as fun, fresh and innovative as anything that's been done since, and were grounded in solid draftsmanship and compositional skills. The show includes 40 paintings, about 30 objets d'art (including weapons and armor), graphic works and one tapestry, all on loan from private and public collections worldwide.

Giuseppe Arcimboldo (1526-1593) was organized jointly by its two host venues: the Musée du Luxembourg, Paris (September 15, 2007-January 13, 2008) and the Kunsthistorisches Museum, Vienna (February 11-June 1, 2008).

Images 1-12 of 18

© Skoklosters Slott, Stockholm; used with permissionThe Librarian (Wolfgang Lazius), ca. 1562© Kunsthistorisches Museum, Gemäldegalerie, Vienna; used with permissionSummer, 1563© Kunsthistorisches Museum, Gemäldegalerie, Vienna; used with permissionWinter, 1563© National Museum, Stockholm; used with permissionThe Lawyer (Ulrich Zasius), 1566
© Private Collection, Basel, Switzerland; used with permissionAir, ca. 1566© Kunsthistorisches Museum, Gemäldegalerie, Vienna; used with permissionWater, 1566© National Museum, Stockholm; used with permissionThe Cook, ca. 1570© National Museum, Stockholm; used with permissionThe Cook (reversed view), ca. 1570
© Musée du Louvre, Paris; used with permissionSpring, 1573© Musée du Louvre, Paris; used with permissionAutumn, 1573© Skoklosters Slott, Stockholm; used with permissionVertumnus (Portrait of Rudolf II), 1590© Museo Civico Ala Ponzone, Cremona; used with permissionThe Gardener, ca. 1590

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