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Wood Box in the Form of Tutankhamun's Cartouche or Royal Name

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Image © The Metropolitan Museum of Art; Used with permission

Harry Burton (British, 1879-1940). Wood Box in the Form of Tutankhamun's Cartouche or Royal Name. Gelatin silver print. 9 1/8 x 6 3/4 in. (23.3 x 17.3 cm). Archives of the Department of Egyptian Art.

© The Metropolitan Museum of Art

This wood box in the shape of Pharaoh Tutankhamun's cartouche (an oval form surrounding the hieroglyphic symbols for one's name) was discovered in the Treasury of the young ruler's tomb. Its surface decoration of ebony and ivory, when translated, identifies the boy-king as the ruler of Thebes. The container held jewelry, royal regalia and an ankh-shaped mirror symbolizing life.

To read a full review, please see Special Exhibition Catalogue Review - Tutankhamun's Tomb.

About the catalogue and exhibition:

Duotone reproductions of more than 70 mostly black-and-white vintage images by British photographer Harry Burton (1879-1940) of the tomb of Egyptian Pharaoh Tutankhamun (ruled ca. 1336-1327 B.C.) and its excavation comprise Tutankhamun's Tomb: The Thrill of Discovery (The Photographs of Harry Burton). The volume has been published in conjunction with the special exhibition Discovering Tutankhamun: The Photographs of Harry Burton, on view from December 19, 2006 through April 29, 2007 at New York's Metropolitan Museum of Art, 1000 Fifth Avenue at 82 Street, New York, NY 10028-0198 (Telephone: 212-535-7710; Website). The museum is open Tuesday through Thursday and Sunday from 9:30 AM to 5:30 PM and Friday and Saturday from 9:30 AM to 9:00 PM. SUGGESTED admission is $20.00 for adults, $15.00 for senior citizens (65 and older) and $10.00 for students with valid school identification. This includes same-day admission to The Cloisters in Manhattan's Fort Tryon Park. Paid parking is available in The Museum Garage.

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From your Guide: Stan Parchin, Senior Correspondent for Museums and Special Exhibitions, is a specialist in ancient, late-medieval and Renaissance art and history, and a regular contributor to About Art History. You may read all of his Special Exhibition and Catalogue Reviews here.
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