Movement, Style, School or Type of Art:
"History Painter" is appropriate, though Jacob Lawrence himself preferred "Expressionist," and he was certainly best-qualified to describe his own work.
Also, while the label "Harlem Renaissance" is often applied to Lawrence, it's not accurate. He began studying art half a decade after the Great Depression terminated the heyday of that movement. It can be argued, though, that the Harlem Renaissance brought into being the schools, teachers and artist-mentors from whom Lawrence later learned.
Date and Place of Birth:
September 7, 1917, Atlantic City, New Jersey
After an early life marked by a series of moves, and the separation of his parents, Jacob Lawrence, his mother and two younger siblings settled in Harlem when he was twelve. It was there that he discovered drawing and painting (on discarded cardboard boxes), while attending an after-school program at Utopia Children's Center. He kept up painting when he could, but was forced to drop out of school to help support the family after his mother lost her job during the Great Depression.
Luck (and the persistent help of sculptor Augusta Savage) intervened to procure Lawrence an "easel job" as a part of the W.P.A. (Works Progress Administration). His love of art, reading and history, combined with his quiet determination to show that African Americans, too, were a major factor in the history of the Western hemisphere - despite their conspicuous absence in art and literature - led him to embark on his first important series, The Life of Toussaint L'Ouverture.
1941 was a banner year for Jacob Lawrence: he broke the "color barrier" when his seminal, 60-panel The Migration of the Negro was exhibited at the prestigious Downtown Gallery, and also married fellow painter Gwendolyn Knight. He served in the U.S. Coast Guard during WWII, and returned to find his career as an artist going from strength to strength, including a temporary job teaching at Black Mountain College (in 1947) at the invitation of Josef Albers - who became both influence and friend.
Lawrence spent the rest of his life painting, teaching and writing. He is best known for his representational compositions, full of simplified shapes, and bold colors and his use of watercolor and gouache. Unlike nearly any other modern or contemporary artist, he always worked in series of paintings, each with a distinct theme. His influence, as the visual artist who "told" stories of the dignity, hopes and struggles of African Americans in American history, is incalculable.
- Toussaint L'Ouverture (series), 1937-38
- Harriet Tubman (series), 1938-39
- Frederick Douglass (series), 1939-40
- The Migration of the Negro (series), 1941
- John Brown (series), 1941-42
Date and Place of Death:
June 9, 2000, Seattle, Washington
Quotes From Jacob Lawrence:
- "I would describe my work as expressionist. The expressionist point of view is stressing your own feelings about something."
- "My belief is that it is most important for an artist to develop an approach and philosophy about life - if he has developed this philosophy, he does not put paint on canvas, he puts himself on canvas."
- "If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man's continuous struggle to lift his social position and to add dimension to his spiritual being."
- "When the subject is strong, simplicity is the only way to treat it."
Sources and Further Reading
- Falconer, Morgan. "Lawrence, Jacob"
Grove Art Online. Oxford University Press, 20 August 2005.
Read a review of Grove Art Online.
- Lawrence, Jacob. Harriet and the Promised Land.
New York : Aladdin Publishing, 1997 (reprint ed.).
(Reading level: Ages 4-8) This wonderfully illustrated book, along with The Great Migration (below), are excellent means with which to introduce budding art enthusiasts to Jacob Lawrence.
- Nesbett, Peter T. (ed.). Over the Line: The Art and Life of Jacob Lawrence.
Seattle : University of Washington Press, 2000.
Videos Worth Watching
- Jacob Lawrence:The Glory of Expression (1994)