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Artists in 60 Seconds: Max Beckmann

By Shelley Esaak, About.com

Photograph provided by The Metropolitan Museum of Art, New York; Used with permission

Max Beckmann (German, 1884-1950). Self Portrait with Champagne Glass, 1919. Oil on canvas. 25 9/16 x 21 7/8 in. (65 x 55.5 cm). Private collection, courtesy W. Wittrock, Berlin. Photo: Kunstsammlung Nordrhein-Westfalen, Düsseldorf.

© 2006 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn

Movement, Style, School or Type of Art:

Expressionism

Date and Place of Birth:

February 12, 1884, Leipzig, Germany

Life:

Beckmann was the living embodiment of Expressionism, always painting in his own style. He was a figurative artist, and began by studying classic techniques of the masters. However, being drafted into the German army in WWI, combined with his experiences there, caused Beckmann's art to become Expressionistic. That Hitler hated Expressionism forced Beckmann into exile. In his last years, spent in the Netherlands and the US, he created his best-known, tortured pieces, often contained in triptychs.

Important Works:

  • The Night, 1918-19
  • Departure (triptych), 1932-35
  • Numerous self-portraits

Date and Place of Death:

December 27, 1950, New York City

Sources and Further Reading

  • Beckmann, Max; Barbara Copeland Buenger (ed.).
    Self-Portrait in Words: Collected Writings and Statements, 1903-1950.
    Chicago : University of Chicago Press, 1997.

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  • Beckmann, Max. On My Painting.
    New York : Harry N. Abrams, 2003.

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  • Rainbird, Sean (ed.). Max Beckmann.
    New York : Museum of Modern Art, 2003.

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  • Selz, Peter. Beckmann (Modern Masters Series, Vol. 19).
    New York : Abbeville Press, 1996.

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